| Robert Boulter | ... | Sean | |
| Sian Breckin | ... | Lisa | |
| Tom Burke | ... | Bluey | |
| Nichola Burley | ... | Tammi | |
| Julian Morris | ... | Josh | |
| Jay Taylor | ... | Marcus | |
| Jaime Winstone | ... | Kim |
Directed by | |||
| Oliver Blackburn | |||
Writing credits(in alphabetical order) | ||
| Oliver Blackburn | writer | |
| David Bloom | writer | |
Produced by | |||
| Mary Burke | .... | development producer | |
| Peter Carlton | .... | executive producer | |
| Will Clarke | .... | executive producer | |
| Caroline Cooper | .... | development producer | |
| Marlow De Mardt | .... | line producer | |
| Lizzie Francke | .... | executive producer | |
| Robin Gutch | .... | producer | |
| Hugo Heppell | .... | executive producer | |
| Mark Herbert | .... | producer | |
| Angus Lamont | .... | producer | |
Original Music by | |||
| François Eudes | (as François-Eudes Chanfrault) | ||
Cinematography by | |||
| Nanu Segal | |||
Film Editing by | |||
| Kate Evans | |||
Casting by | |||
| Des Hamilton | |||
Production Design by | |||
| Delarey Wagenar | (as Delarey Wagener) | ||
Art Direction by | |||
| Marinda Richter | |||
Costume Design by | |||
| Sarah Ryan | |||
Makeup Department | |||
| Candice Drury | .... | assistant makeup artist | |
| Sue Michael | .... | key makeup artist | |
| Dominique Nogje | .... | assistant makeup artist | |
Production Management | |||
| Kate Fewins | .... | production manager: second unit | |
| Barry Ryan | .... | head of production | |
| Katie Shahrokh | .... | post-production manager | |
Art Department | |||
| Kore Antonsen | .... | storyboard artist | |
| Karl du Preez | .... | props | |
| Thabo Grobbelaar | .... | props | |
Sound Department | |||
| Ben Cross | .... | sound designer | |
| Ben Harvey | .... | sound effects editor | |
| Stevie Haywood | .... | sound recordist: UK | |
| Tom Hutchings | .... | sound designer | |
| Arthur Kondouries | .... | sound mixer (as Arthur Koundouris) | |
| Greg Marshall | .... | supervising sound editor | |
| Josh McHugh | .... | sound editor | |
| Susan Pennington | .... | dialogue editor | |
| Jacques Pienaar | .... | boom operator | |
| Jamie Ritharom-Umbras | .... | dialogue editor | |
| Leyton Rooney | .... | supervising foley editor | |
| Samantha Storer | .... | boom operator: UK | |
Visual Effects by | |||
| Justin Lanchbury | .... | DI film consultant | |
| Shanaullah Umerji | .... | visual effects producer | |
Stunts | |||
| Grant Hulley | .... | stunt coordinator | |
| Pyranah Tsunts | .... | stunts | |
| Morne van Tonder | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Neil Bailley | .... | assistant camera | |
| Judas Banda | .... | best boy | |
| David Bloomer | .... | still photographer | |
| Darryl Boyce | .... | gaffer | |
| Meike Chinnery | .... | focus puller | |
| Bressler Daus | .... | grip | |
| Tim Dean | .... | lighting technician | |
| Tim Dean | .... | lighting technician | |
| Grant Forbes | .... | gaffer | |
| Philip Francis | .... | assistant camera | |
| Naguib Fredericks | .... | second assistant camera | |
| Tarique Fredericks | .... | vt ap | |
| Neil Hermann | .... | still photographer | |
| Siphiso Jezile | .... | grip | |
| Norbert Kitshoff | .... | lighting technician | |
| Volker Kreinacke | .... | camera operator | |
| Given Mantwaba | .... | sparks | |
| Regan Mitchel | .... | grip | |
| Mphemelo Mlindazwe | .... | sparks | |
| Igshaan Mohammed | .... | sparks | |
| Bruno Shosha | .... | generator operator | |
| Bevan Simpson | .... | lighting best boy | |
| Steve Steenberg | .... | key grip | |
| Sven Vosloo | .... | camera operator | |
Casting Department | |||
| Claire Catterson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Tracey Berg | .... | wardrobe supervisor | |
| Nadia Botha | .... | wardrobe assistant | |
| Nanuschka Hartig | .... | wardrobe stand-by | |
Editorial Department | |||
| Andrew Dearnley | .... | digital film supervisor | |
| Justin Eely | .... | on-line editor | |
| Andy Richards | .... | senior digital intermediate technician | |
| Gareth Spensley | .... | colorist | |
| Kristian Whitlock | .... | digital intermediate on-line editor (uncredited) | |
Music Department | |||
| Phil Canning | .... | music supervisor | |
Transportation Department | |||
| Charles Adams | .... | driver: cast | |
| Giles Harris | .... | transportation coordinator | |
| Ni Paul | .... | unit driver | |
Other crew | |||
| Jason Aereboe | .... | production assistant | |
| Mark Arendse | .... | account assistant | |
| Avlin Born | .... | script supervisor | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Jason Martin | .... | marine coordinator | |
| Leighla Mcgregor | .... | production secretary | |
| Claire Moorsom | .... | script editor | |
| Claire Moorsom | .... | story editor | |
| Vincent Ndikumana | .... | production assistant | |
| Allison Palmer | .... | production accountant | |
| Capella Riley | .... | production coordinator | |
| Petra Rolinec | .... | production secretary | |
| Milton Schorr | .... | production assistant | |
| Niall Shamma | .... | production accountant | |
| Ed Suter | .... | scout | |
| Monica Tyalana | .... | office attendant | |
| Jeanne-marie Webb | .... | account assistant | |
| Philiswa Xokozela | .... | office attendant | |
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| The Devil's Rejects | Blindness | Hollow Man | Before the Devil Knows You're Dead | The Midnight Meat Train |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb UK section | Add this title to MyMovies |
Firstly this is not a slasher movie nor could it even loosely be described as a horror it can barely even be described as a thriller as it's largely quite boring, the sex is not explicit and the violence not extreme.
I personally didn't feel the film was misogynistic and was one area where the film did succeed by not overtly portraying the females as victims except in places to (unsuccessfully) elicit sympathy and create tension. The female characters are simply one of two opposing sides that develop as a result of the titular sexual act which accidentally results in death which is an alternative to traditional good and bad set ups (as seen in say Eden Lake). If this element had been developed and handled properly it could have lead to an interesting moral conflict instead of lazily resorting to the thriller default plot devices of anger, fear and friends turning on each other.
In addition to the script problems some judicious editing to reduce the running time to around eighty minutes (from 95) would massively help the films leaden pacing which contributes to and ultimately cripples what could have been an interesting and original drama/thriller.