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Directed by | |||
| Chris Carter | |||
Writing credits(WGA) | ||
| Frank Spotnitz | (written by) and | |
| Chris Carter | (written by) | |
| Chris Carter | (television series "The X-Files") | |
Produced by | |||
| Chris Carter | .... | producer | |
| Brent O'Connor | .... | executive producer | |
| Frank Spotnitz | .... | producer | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| Bill Roe | |||
Film Editing by | |||
| Richard A. Harris | (as Richard Harris) | ||
Casting by | |||
| Heike Brandstatter | |||
| Mindy Marin | |||
| Coreen Mayrs | |||
Production Design by | |||
| Mark S. Freeborn | (as Mark Freeborn) | ||
Art Direction by | |||
| Tony Wohlgemuth | |||
Set Decoration by | |||
| Shirley Inget | |||
Costume Design by | |||
| Lisa Tomczeszyn | |||
Makeup Department | |||
| Gitte Axen | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Sherry Linder-Gygli | .... | key hair stylist | |
| Michael Nickiforek | .... | makeup effects fabrication | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Bill Terezakis | .... | special makeup effects designer | |
Art Department | |||
| John Chaschowy | .... | greensman | |
| Mark Francis | .... | prop buyer | |
| David Hadaway | .... | set designer | |
| Scott Holburn | .... | set dresser | |
| Mike Lilley | .... | graphic designer | |
| Cheryl Marion | .... | assistant art director | |
| Marta McLaughlin | .... | assistant property master | |
| Wayne McLaughlin | .... | property master | |
| Eric Partridge | .... | assistant property master | |
| Sabine Schoppel | .... | art department coordinator | |
| Adrien Van Viersen | .... | illustrator | |
| Loree Wershler | .... | graphic designer | |
Special Effects by | |||
| Colin Decker | .... | special effects assistant | |
| David Gauthier | .... | special effects coordinator | |
| Attila Vaski | .... | special effects technician | |
Visual Effects by | |||
| David Alexander | .... | supervisor | |
| Eric Almeras | .... | digital compositor | |
| Rodrigo Armendariz | .... | compositor | |
| Steve Au | .... | digital effects artist | |
| Johnathan R. Banta | .... | digital compositor | |
| Pharoah Barrett | .... | 3D artist | |
| Geeta Basantani | .... | visual effects set assistant | |
| Mat Beck | .... | senior visual effects supervisor | |
| Rob Blauser | .... | digital matte painter | |
| Darren Borrowman | .... | visual effects on-set technician | |
| Bryce Brecheisen | .... | visual effects coordinator | |
| Jonathan Butchard | .... | visual effects coordinator: Frantic Films | |
| Charles Collyer | .... | digital compositor | |
| Jon Cowley | .... | digital supervisor | |
| Glenn Curry | .... | digital effects artist: EntityFX | |
| Todd Daugherty | .... | head of technology | |
| Linda Drake | .... | visual effects editor | |
| Jason Dunn | .... | compositor | |
| Mathieu Dupuis | .... | lead digital compositor: Hybride | |
| Andrew Edwards | .... | compositor | |
| Ryan Epp | .... | compositor | |
| Thomas F. Ford IV | .... | visual effects producer | |
| Mark Goldberg | .... | compositor | |
| Don Greenberg | .... | compositor | |
| Todd Groves | .... | digital compositor | |
| Junji Hirano | .... | visual effects artist | |
| Graham Houston | .... | digital effects artist | |
| Jeremy Hunt | .... | visual effects artist: Screaming Death Monkey | |
| Nathan Ilejay | .... | video I/O | |
| Brenda Ilic | .... | visual effects producer: Entity FX North | |
| Joni Jacobson | .... | visual effects producer: Entity FX | |
| Eli Jarra | .... | digital supervisor | |
| Ara Khanikian | .... | digital compositor: Hybride | |
| Aaron N. Leichter | .... | video I/O | |
| Andrew Lema | .... | digital effects artist | |
| Matthias Lowry | .... | compositor | |
| Jack Noriaki Matsumoto | .... | digital effects artist | |
| Steve J. McLeod | .... | compositor | |
| Vinay Mehta | .... | digital compositor | |
| Tena Montoya | .... | visual effects producer: Entity FX | |
| Brian Moylan | .... | visual effects set supervisor | |
| Viet Nguyen | .... | systems engineer | |
| Eugene Paluso | .... | digital effects artist | |
| Rod Park | .... | visual effects producer: Entity FX | |
| Shane Paugh | .... | visual effects coordinator | |
| Marlon Perez | .... | digital artist: At The Post | |
| Chris E. Peterson | .... | digital artist: At The Post | |
| Brian Petras | .... | compositor | |
| Lee Roderick | .... | visual effects | |
| Dan Rucinski | .... | production supervisor | |
| Emily Sage | .... | visual effects | |
| Brian Sales | .... | compositor | |
| Andrea Shear | .... | digital effects artist | |
| Randal Shore | .... | visual effects producer: Frantic Films | |
| Nate Smalley | .... | video I/O | |
| Trent Smith | .... | senior visual effects producer: Entity FX | |
| Christina Spring | .... | compositor | |
| Mike Spring | .... | compositor | |
| Mai Suzuki | .... | digital restoration artist | |
| Marty Taylor | .... | compositor | |
| Patrick Thompson | .... | compositor | |
| Donald Tse | .... | compositor | |
| Dmitry Vinnik | .... | digital effects artist | |
| John C. Wash | .... | visual effects set supervisor | |
| Dave Williams | .... | compositor | |
| Ian Wilson | .... | digital effects artist | |
| Doug Witsken | .... | digital compositor | |
| Philip Fraschetti | .... | rotoscope artist: At The Post (uncredited) | |
| Jeremy Renteria | .... | rotoscope artist (uncredited) | |
| Bobby Silman | .... | digital compositor: Frantic Films (uncredited) | |
Stunts | |||
| Guy Bews | .... | stunt driver | |
| Mike Mitchell | .... | stunt coordinator | |
| Tony Morelli | .... | stunt coordinator | |
| Jeff Sanca | .... | stunt driver | |
Camera and Electrical Department | |||
| Ryan Bailey | .... | gaffer: second unit | |
| John S. Bartley | .... | director of photography: second unit | |
| Justin Bergler | .... | second assistant camera: "b" camera, second unit | |
| Hans Bjerno | .... | aerial director of photography | |
| Eric Dvorsky | .... | Wescam technician | |
| Eric Dvorsky | .... | assistant camera: aerial unit | |
| Lee Gibeau | .... | camera crane technician | |
| Lee Gibeau | .... | grip | |
| Steve Gray | .... | helicopter pilot: camera | |
| Russ Hawkes | .... | dolly grip: second unit | |
| Norbert Kaluza | .... | camera operator: "a" camera, second unit | |
| Jeremy Lundstrom | .... | camera trainee | |
| Taylor Matheson | .... | first assistant camera: "a" camera, second unit | |
| Sean Oxenbury | .... | rigging gaffer | |
| Rob Parisien | .... | digital video assist operator | |
| Andrew Pereszlenyi | .... | best boy: lighting | |
| David Tickell | .... | gaffer | |
| Tony Whiteside | .... | key grip: second unit | |
| Carrie Wilson | .... | camera loader | |
| Kurt Zelmer | .... | best boy rigging electric | |
Casting Department | |||
| Kara Lipson | .... | casting associate | |
| Meagan Lopez | .... | casting assistant | |
| Tiffany Mak | .... | casting department | |
| Randy Stone | .... | original casting | |
Costume and Wardrobe Department | |||
| Carolyn Bentley | .... | set costumer | |
| Dawn Climie | .... | on-set costume supervisor | |
| Nancy Collini | .... | costumer | |
| Brodie Davison | .... | costumer | |
| Janice Devries | .... | costume coordinator | |
| Kevin Harrison | .... | set costumer | |
| Michelle Hunter | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Ryan Chavez | .... | assistant editor | |
| Marta Evry | .... | additional editor | |
| Geofrey Hildrew | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Devin Sterling | .... | digital intermediate producer | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Charbonneau | .... | music editor | |
| Kevin Globerman | .... | digital score recordist | |
| Benoit Grey | .... | midi score programmer | |
| Randy Kerber | .... | orchestrator | |
| Katia Lewin Palomo | .... | score mixing assistant | |
| Alan Meyerson | .... | music scoring mixer | |
| Jonathan Sacks | .... | orchestrator | |
| Mark Snow | .... | conductor | |
| John Ashton Thomas | .... | orchestrator | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Bob Dennett | .... | 2nd unit transportation coordinator | |
| James Perenseff | .... | transportation coordinator | |
Thanks | |||
| Randy Stone | .... | dedicatee | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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I think my title says it all. Really, I was entirely entertained the entire way through. I'm not going to give away the story because this film was marketed wonderfully. Going in, thanks to great marketing, you won't (shouldn't) know anything about the plot and this helps create a real sense of mystery. By now you know it has to do something with psychics but you really have no idea.
The writing, just like the show, is pitch perfect. The character development between Mulder and Scully is never off and they even introduce new characters. These characters aren't great (I suppose at times Xibit is kind of annoying) but they work pretty well to move the story along. This film also does something many movies have a hard time doing and thats creating sub plots that don't fall flat. There's a great sub plot involving a boy with a terrible disease, and its emotional and you never don't care about his fate even though it isn't the central focus of the story.
The acting is great. Duchovney and Anderson both flourish as the main characters while newcomers Amanda Peet and Xibit (is he trying to pull a Rock on us and change it to his birth name?) do their job admirably but never steal a scene from the real stars of the film.
I know I have a ton of great things to say about this movie and, yes, I loved it. I'd rank it among the greatest summer films this year (for those wondering Dark Knight and Iron Man both trump this). This is on par with how I felt about The Incredible Hulk, which I also loved. I just can't say that it's great and honestly I'm not sure what it is. Probably that it felt like a really epic episode.
This feels right at home in the series and it's a real relief to say that because it could've been good but not at home within the series.
I give this film a B.